Calla Tor has always known her destiny: After graduating from the Mountain School, she'll be the mate of sexy alpha wolf Ren Laroche and fight with him, side by side, ruling their pack and guarding sacred sites for the Keepers. But when she violates her masters' laws by saving a beautiful human boy out for a hike, Calla begins to question her fate, her existence, and the very essence of the world she has known. By following her heart, she might lose everything--including her own life. Is forbidden love worth the ultimate sacrifice?Review - Werewolves are an interesting species in that they have pack behaviour, powers that makes sense for what they are and the heightened animalistic aspect of their human existence. And yet it is the human aspect that seems to derail what (in places) is craftily executed in Nightshade.
Calla is a strong, capable alpha for a group of her contemporary Keepers. She's take charge and instinctively knows how to handle tough physical situations. However put her into any other kind of dilemma and she's on par with a limp, cotton-stuffed rag doll. While I didn't respond to this, I do see the logic - she's more comfortable in dealing with issues where she can rely on her wolf form, rather than that of a a teen girl. Understandable but not fun for a reader who doesn't respond to lipid.
The politics and dynamics of the world Cremer created really drew me into the existence of Keepers. She has obviously worked hard to build a society that pushes and pulls among itself and against the real world. It's fascinating stuff. But when the story begins to involve Shay more and more, I found myself losing more and more interest. Shay doesn't push my buttons. He's not interesting enough to be mysterious and not bland enough to be inconsequential - he floats somewhere in between. He's just not enough. Calla's pull to him wasn't established well enough in any realm other than the physical and this reader didn't buy that as a strong enough reason for her to test the boundaries of her life. Shay's texture comes from external factors - his role, his history and his uncle - not much of it has to do with him. Five minutes in an elevator and I would be terrifically bored.
As this is the standard paranormal love triangle scenario there is a guy in the blue corner too. Ren is a complex individual. Well I suspect he's meant to be except that he's not. He's erratic and volatile but in a predictable sense aka if it involves Calla and Shay he's a cliched, jealous, violent beast. And yet I couldn't dislike him for it. I blame Calla....and Cremer.
Nightshade lost me because of the characters. The supporting characters are well drawn, rounded individuals that make Cremer's world come alive. Her protagonist and her two beaux throw a wet blanket over it all. The two boys are in love with the protagonist (nothing new) - one she is pledged to, the other one she is drawn to. But...she's emotionally and physically involved with both. And this is where the character lost me - she's apparently is torn just not adverse to toying with their emotions or snogging them. Calla knows who she wants but understands that she's promised to another. Yet she keeps carrying on with both to a degree that I found callous. She's apparently oblivious to the impact of her choices on each of the boys. The denseness of mind was necessary as Calla continues to repeat those behaviours for the majority of the book and made it impossible for this reader to like or empathise with her.
Ultimately Nightshade is a compelling world imbued with a less than interesting dilemma involving characters that fail to engage me on an entertainment or emotional level. Part of that is the sheer length of the book, there isn't enough development occurring to warrant its enormous page number. A more definitive, tighter edit would have made most of my criticisms null and void.
I am excited to read more of Cremer's work, clearly she's a great writer, she needs to direct her focus to creating central characters as unique and as compelling as Calla and Ren's pack members.
Published: October 19, 2010
Format: ARC, 464 pages