Saturday, 27 February 2010

In My Mailbox - 27 February



For the non-vlog inclined:

BOUGHT
When It Happens - Susane Colasanti (Viking Juvenille)
At the start of her senior year, Sara wants two things: to get into a top college and to find true love. Tobey also wants two things in his senior year: to win Battle of the Bands and to make Sara fall in love with him. A popular jock named Dave, though, moves in on Sara first. But Tobey's quirky wit and big blue eyes are hard for Sara to ignore. Plus, he gets the little things that matter to her - like why she loves the Lloyd Dobler boom-box scene in the movie Say Anything....Can a slacker rock-star wanna be win the heart of a pretty class brain like Sara?


Duel perspective is something I love in YA...when done well. I am also terribly excited to read Colasanti for the first time.

A Match Made in High School - Kristin Walker (Razorbill)
When the principal announces that every senior must participate in a mandatory year-long Marriage Education program, Fiona Sheehan believes that her life can’t get any worse. Then she marries her “husband”: Jerky jock Todd, whose cheerleader girlfriend, Amanda, has had it in for Fiona since day one of second grade. Even worse? Amanda is paired with Fiona’s long-term crush, Gabe. At least Fiona is doing better than her best friend, Marcie, who is paired up with the very quiet, very mysterious Johnny Mercer. Pranks, fights, misunderstandings, and reconciliations ensue in an almost Shakespearean comedy of errors about mistaken first impressions, convoluted coupling, and hidden crushes.


Very excited to get this. Check out my review here.


Peaches - Jodi Lynn Anderson (HarperTrophy)
In a Ya-Ya Sisterhood for teens, Peaches combines three unforgettable heroines who have nothing in common but the troubles that have gotten them sentenced to a summer of peach picking at a Georgia orchard.

Leeda is a debutante dating wrong-side-of-the-tracks Rex.

Murphy, the wildest girl in Bridgewater, likes whichever side Rex is on.

Birdie is a dreamer whose passion for Girl Scout cookies is matched only by her love for a boy named Enrico.

When their worlds collide, The Breakfast Club meets The Sisterhood of the Traveling Pants in an entirely original and provocative story with a lush, captivating setting.


Can there be enough name dropping in the synopsis? Seriously. Comparing it to TBC is almost setting it up to fail and as I am not the greatest Brashares fan (understatement), this could be interesting. I have wanted to read this title for a long time so hopefully it won't disappoint.

FOR REVIEW
Feral Tracks - Euan Mitchell (Vulgar Press)
Feral Tracks captivated teenagers when first released in 1998, including reluctant male readers. It was short-listed for a readers' choice award and optioned for a feature film. The screenplay was created in 2002 and, although not produced as a movie, inspired this newly rewritten version of the story.


The male version of Puberty Blues is a statement that intrigues me. I am interested to see what this book is like.

GIFT
The Puzzle Ring - Kate Forsyth (Scholastic)
Hannah Rose Brown is twelve years old when she finds out that her family is cursed. Desperate to find the truth about her father' disappearance, she travels to her ancestral home in Scotland, and discover a chain of dark secrets that plunge her into different worlds, time frames and dangers. This is another magical historical novel from the author of "The Gypsy Crown".


I am not overly keen on MG (which the protagonist is), however I have heard many splendid things about this book. It has also won a myriad of awards and is authored by an Aussie. I am in!

Before, After and Somebody in Between - Jeannine Garcee (Bloomsbury)
...when a single dream isn't enough.

Why is it so wrong to want to be normal? To prove to the world, and to yourself, that you're not just a white-trash nobody?

A fourteen year-old cellist with big dreams and a bigger mouth, Martha knows her talent will one day help her escape the clutches of her alcoholic mom and the chaotic life they share. Then her beloved cello is stolen, and she resorts to drastic measures to replace it--with tragic results. But just when she decides life can't possibly get any suckier, Martha is unexpectedly given a chance to escape her hopeless existence. Thrilled beyond belief, she reinvents herself as the elusive "Gina" and moves in with the Brinkmans, a wealthy, seemingly "perfect" family with a few disturbing secrets of its own.


Another cellist? Instantly reminded me of Mia in If I Stay. I am intrigued by the synopsis and it's recommended so I am expecting big things.

How's your haul this week?

Lastly, here's me with my copy of Kristin Walker's A Match Made in High School in front of a shrine entrance in my new hometown of Asabata-Kita, Shizuoka, Japan.
See more pics of me in Japan at http://adeleinjapan.blogspot.com.

Thursday, 25 February 2010

Review - A Match Made in High School / Kristin Walker


When the principal announces that every senior must participate in a mandatory year-long Marriage Education program, Fiona Sheehan believes that her life can’t get any worse. Then she marries her “husband”: Jerky jock Todd, whose cheerleader girlfriend, Amanda, has had it in for Fiona since day one of second grade. Even worse? Amanda is paired with Fiona’s long-term crush, Gabe. At least Fiona is doing better than her best friend, Marcie, who is paired up with the very quiet, very mysterious Johnny Mercer. Pranks, fights, misunderstandings, and reconciliations ensue in an almost Shakespearean comedy of errors about mistaken first impressions, convoluted coupling, and hidden crushes.


Review - I needed to read a good contemporary YA novel like Kristen Stewart needs to smile...badly. It's with infinite gratitude that I give my thanks to the Book Gods and Kristin Walker for A Match Made in High School. It's fun, it's quirky, it's relatively unpredictably and it's full of bickering. Funny, somewhat risque bickering that made me what to track down a certain chap from over a decade ago and see if we could resume similar communications via Facebook. I know, I am sad...and kind of crushing on Todd Harding. What can I say? I love an ass. An ass who has a definite way with dirty jokes and innuendo.

What I am trying to say is that this novel is infused with life. It's sparky, quickly paced and more than anything moves the protagonist through a series of events to a natural point of self realisation. Fiona's self-indulgent, snobbish and a little self centred. While many of my fellow reviewers found this protagonist to be frustrating, I overly identified with her. In fact, her self realisation coincided with my recognition of her more negative character traits. Sure, I was aware of how her behaviour was affecting others, even when she wasn't, but I truly empathised with her situation.

The concept of a student fake marriage curriculum program is a little far fetched but it works exceedingly well to authentically evolve a myriad of characters. It is not just Fiona who grows in this novel, it's the whole host of supporting characters. Each is well rounded. Flaws abound in this group of individuals, they can appear cliched on first glance but almost immediately Walker allows you to peek behind the curtain. One of the possible love interests is a little too good to be true throughout the story and as such I was less invested in him.

The storyline is tightly plotted with a variety of relationships depicted to varying degrees of depth. From the precocious babysitting charge to the girlified best friend to the snarky parents - each adds to the storyline and dollops of humour. Slightly predictable (I saw the Mar twist coming from a mile away), the journey is interesting enough (and at times swervy enough) to keep you turning the pages at a rapid pace.

The writing is somewhere in the field of Sarah Dessen or Elizabeth Scott, I am leaning towards to latter due the heavier use of humour and the (at times) delightfully crude dialogue. Walker has smartly crafted a protagonist that is all personality without having to lean on cliched crutches eg 'woe is me, I am beautiful but misunderstood', 'my parents are screwed up and so am I', 'people die around me...a lot' or vampires. The internal passage of this girl is frequently laugh provoking, snarky and real. Friendship plays just as an important role as friendship and that is something I can really get behind. The plot and writing style are nicely weighted to tell the story of an ordinary girl with ordinary problems in an exciting, dynamic voice.

An impressive debut effort!

Published: February 2010
Format: Paperback, 277 pages
Publisher: Razorbill
Source of Review Copy: purchased
Origin: USA

If I Stay Sequel?

If you haven't stopped by Gayle Forman's website today, you probably should. After last years fantastic release of If I Stay (review here), Forman is following up the story of Adam and Mia's love three years in the future.

What does this mean?
In 2011, the sequel WHERE SHE WENT (I love the title, compliments IIS perfectly) will be on bookstore shelves.

Anyone else excited?

Lastly...the title could mean a multitude of things
  • She meaning Mia?
  • Went? Is this meaning Mia's little trip in the previous book between here and there OR did she go somewhere after the events of IIS? Did she end up attending Julliard? How intense was the probably necessarily physical therapy and surgeries?
  • The title IIS had I in it, which indicated it was from Mia's perspective. Does she mean what I think it does? Who's perspective do you think WSW will be from? If you want to know the answer to that make sure you read the synopsis over at Goodreads and mark it down as a TO-READ.
  • Most importantly...are they together still? True love survives everything... right?
If you want to know more...and I know you do...whip by Gayle's post on this very subject.

2010 has only just begun and I am hanging out for 2011.

Wednesday, 24 February 2010

Waiting on Wednesday - Every Little Thing in the World

Written by Nina de Gramont (Atheneum)
Released March 23, 2010

Sixteen-year-old Sydney Biggs is a “good kid”—smart, pretty, self-aware. No one doubts that she’ll go far in life. But lately her mother worries that Sydney is wandering down the wrong path and getting all caught up in petty teenage rebellion and shenanigans. When Sydney and her best friend, Natalia, “borrow” a car to go to a party and then get escorted home by the police, their parents pack them up and ship them off to a hard-love wilderness camp to stop this behavior before it gets out of hand, before things go too far. The problem is, they already have.

Sydney the “good kid” is pregnant.

In the wilds of Canada—where the girls are to spend the next four weeks canoeing, camping, and foraging for food—time is ticking, because Sydney isn’t sure what she wants to do about this baby. And she certainly isn’t expecting the other heady issues that will confront her as she forges friendships with her adventure mates, including a guy who makes it no secret that he is a major thug, and a teen television heartthrob with a secret of his own, not to mention her own best friend—who is very adamant about what Sydney should do.


I have heard nothing about this title but the cover and premise have intrigued me sufficiently for me to highlight it. Not often are teen pregnancies a subject in YA, the ones I've read anyway, and I am really curious to read author Nina de Gramont's take on it.

Review - On the Jellicoe Road / Melina Marchetta

Taylor Markham is not a popular choice. She is erratic, has no people skills and never turns up to meetings. Not to mention the incident when she ran off in search of her mother and only got halfway there. But she's lived at Jellicoe School most of her life and as leader of the boarders that's her greatest asset. Especially now the cadets, led by the infamous Jonah Griggs, have arrived. The territory wars between the boarders, townies and cadets are about to recommence.

But Taylor has other things on her mind: a prayer tree, the hermit who whispered in her ear, and a vaguely familiar drawing in the local police station. Taylor wants to understand the mystery of her own past. But Hannah, the woman who found her, has suddenly disappeared, leaving nothing but an unfinished manuscript about five kids whose lives entwined twenty years ago on the Jellicoe Road . . .


Review - I can't pretend that this will be a normal review. Those who are regular readers of Persnickety Snark know that I am a HUGE Melina Marchetta fan because she's a talented writer, she has created many intensely personal and real characters and I think she's the bee's knees as a human being as well. This is biased. But then again the Printz award, and the plethora of other awards she's won for this title and the others, show that (perhaps) I have exceptional taste.

Jellicoe is my beloved. I adore it. I have read it many times and recently listened to it as my first ever audiobook experience. I can't objectively review it anymore. So instead of writing a proper review, I am writing down the twelve reasons I love it.

1. At first it has a more confusing structure than the Christopher Nolan movie, Momento. Relax and let all the carefully crafted threads start weaving into a tapestry of awesomeness. The results? A final scene that will squish your heart into minced meat. It also makes Jellicoe Road a fantastic book to read multiple times as you always pick up something new.

2. Shows that tween girls really are terrifying and that they can make teen boys quake in their boots.

3. All of Marchetta's boys are crushable. But she has a way with kissing scenes...don't believe me, check this out - "When I turn around, he cups my face in his hands and he kisses me so deeply that I don't know who is breathing for who, but his mouth and tongue taste like warm honey. I don't know how long it lasts, but when I let go of him, I miss it already." Melting yet?

4. Jonah Griggs, the MOST compelling tortured love interest in YA. He's not supernatural, he's just supernaturally divine. He's an ass, a joker, a tough nut, a sensitive soul and a great snogger. He's also kitted out in fatigues most of the time. He's perfection in his detailed imperfection. Only he could swear at a girl and still make you swoon.

5. The band. Don't want to ruin it but if you've read the book you know why. Comic relief in mullet form.

6. The past - heart wrenchingly awful and beautiful in one clearly imagined intro. The rest is gravy.

7. Hannah - the heart of the book and one half of the soul of the book. Her story and that of the one she loves, is just....ahhhhh.

8. Territory wars. Forget Hogwarts and Voldermort, that's child's play. See what happens when boarders, townies and cadets battle over territory. Enormously fun, sometimes brutal and a great use of the Aussie bush.

9. Santangelo and Raffy. He might be a bully and a cad and a hardheaded mule but his bickering with Raffy cracks me up. He's a good sort and she's a fabulously strong, maternal, uncompromising chick in a completely different way than Taylor.

10. The way in which grief, desertion and family are all integrated so beautifully with love, friendship, war and identity. Big ideas but delicately crafted.

11. The boy in the tree.

12. Taylor Markham. She's more likely to punch you in the guts than give you the time of day. Hurt so many times, she no longer lets people in. She's a brick wall with a harsh edge, direct point of view and an amusing (and usually) blunt way of putting things. Evidence that ballsy female protagonists don't have to live in a fantasy world.

If you haven't read this book ... get up, get to a bookstore and read it immediately.

Published: 2007
Format: Paperback, 300 pages
Publisher: Penguin Australia
Source of Review Copy: purchased
Origin: USA


Update - What's with the cover? It's the new Australian paperback 2010 cover. In America the cover is orange (correct, Karen).

Tuesday, 23 February 2010

Video - Penguin Presents...Melina Marchetta

Penguin Australia has prepared this mini-documentary of YA author Melina Marchetta. It is a great glimpse inside her life, writing and the characters she's brought to life. Also find out how you should say Alibrandi...

The Piper's Son, out March 1st, is her new heart-wrenching new novel that takes up the story of the group of friends from her best-selling, much-loved book Saving Francesca - only this time it's five years later and Thomas Mackee is the one who needs saving.
penguin.com.au

Sunday, 21 February 2010

The Trouble With Glee...

Last week I had an ongoing twitter conversation with YA author William Kostakis about Glee. I have to admit it got a little tense.

We both love Glee.
We love its ridiculousness. The camp. The fun. The music. We love it.

But then we diverge.
He thinks it's pretty good as it is. It is what it is and that's enough. Me - not so much. Just because I love something doesn't mean I don't see its flaws.

While I am overjoyed that Glee is returning to screens in April, I am hoping for some changes. Glee isn't perfect. There are areas where it can be tweaked to become even better. When several of the cast members were nominated for Golden Globes I was more than a little perturbed. While they are all brilliant singers, most of them haven't been given the material (or demonstrated the acting ability) to warrant a nomination - Jane Lynch excepted.

We excuse Glee because it brings us joy. The singing, the dancing, the quips all excuse story issues and sometimes tepid acting.

But I ask you this - were Glee song and dance-less...would you watch it for the stories only? When you go to YouTube are you searching for scenes or for dance numbers?

Problem #1 - Consistency
The songs are performed well but the structure of the show is a mess. Both as a seasonal arc and on an individual basis, the consistency of character development and the overall storyline is bordering on horrific.

The fantastic Kristen Chenoweth guested in episode and was outstanding. However, it's made clear that Will had a GIANT crush on her but there's no sight of already threatened and unstable Teri. Following episode, Teri finds out about Will and Emma's flirting and she's all over the situation like crazy on toast. The eight fingered teacher...never seen again after Acapellas. Mercedes crush on Kurt was never mentioned again after the episode. Mercedes takes issue with Rachel getting solos, sings her butt off proving her awesomeness then meekly submits during the sectionals solo to Rachel. (I guess she didn't feel that strongly. Really? She doesn't have other songs prepared. Really?) Does an awesome Barbra Streisand cover excuse some really shoddy story machinations?

And Rachel....Rachel's madly in love with Finn...with an exception to the week when she fixates on Will, then she's back in love with Finn. Never mentioned again, no residual weirdness.

Also....with all the songs they've performed throughout the first half of the season, they decided to sing a new one when their options were flogged? How on earth does that make sense? You Can't Always Get What You Want was amazing but what was the point of all the other songs they worked on with the intent of performing them at THE SECTIONALS!

The solutions to most of the conflict is rather Brady Bunch in its isolation. The story lines are usually so brief that they can be tied up with a red bow and never heard of or referenced again. This isn't great storytelling in a holistic sense. I still love watching it though.

The solution? They need story lines pronto. The road to Sectionals and two convoluted pregnancies weren't enough for the first half season. These two story lines were the only major ongoing ones. There is a whole cast relegated to love triangles, one episode hook ups/crushes and "issues". Love and Sectionals weren't enough.

Though Kurt's storyline, which didn't fall in either category, was the best handled storyline of the season so far. It was a three episode sporadic arc but the emotional resonance was there, the song choices were great without being obvious (Single Ladies, Defying Gravity) and the acting was solid (bravo Chris Colfer and Mike O'Malley).

Problem #2 - Guest Stars
Ryan Murphy has the means of getting really big names on the show. Stars want on, whether in person or their songs. The iTunes royalties, name recognition and ratings alone make it VERY worth their time. While Josh Groban (funny and quick) and Kristen Chenoweth's appearances have been fantastic, they shouldn't be the norm. With announcements that Olivia Newton-John, Jonathan Groff, Jennifer Lopez, Neil Patrick Harris and Idina Menzel are soon to appear, I am feeling both excitement and dread. As much as April's (Kristen Chenoweth) appearance on the show allowed her to rock out, it did absolutely nothing for the story of the Glee club and specifically the members of Glee.

My ask is that stunt casting doesn't prevail at the expense of secondary characters. While I love Groff, Menzel and Harris (no comment on Lopez), it's feeling like Glee Variety Hour. I'd rather an episode devoted to the wonderful world inside Brittany's locker (imagine how wonderful that could be) or developing Artie, Tina, Kurt, Mercedes or the dancing ethnicity twins (Mike and Matt). The show needs to concentrate on the core cast. I LOVE the people they plan on bringing on but they need to stay true to the story of the actual Glee members.

Guest stars are fabulous but small portions are ideal. Josh Groban's small appearance was great and should be the norm, not the Kristen Chenoweth story slice. The show's called Glee, not temporary Glee cast member hiccup!

Fingers crossed that the stunt casting with Glee members' parents are actors rather than singer/actors (I consider theatre people the exception to this). Victor Garber (Will's Dad) is welcome anytime.

Problem #3 - Music
I hear you sharpening your knives already but let me get this out. While I LOVE the singing and dance numbers, I don't like the clunkiness of some of their song choices. Papa Don't Preach? Really? Obvious much? I don't care how appropriate it is to Quinn's storyline, it didn't work. Especially singing it to children... Was it funny? Mildly. Was it sung well? Not particularly.

I prefer Glee when it's loose and less produced. Hate on Me is one of my favourite numbers and could probably be considered one of the least choreographed.

Also, don't let Mr Schu rap! The man has a way with melody. Why do they continue to inflict his vanilla rap on us all?

Also, no more singing to sonograms...too cliche. Even the most devout Gleeks winced during that scene.

Problem #4 - Finn
He's tall. Frankenstein tall. That's the only selling point I have. I don't get why he's the bee's knees, other than being the typically vanilla, non-threatening boy band type that tweens get their knickers in a knot over. Rachel likes him as he sees her for what she is, rather than the prima donna that she can sometimes be. While that is admirable, he's also super humanly dumb (not a great character choice by the producers, mildly dumb would have been fine), rhythmically challenged and let's face it, not the best singer.

They have written themselves into a corner with his stupidity. Not knowing what a library is classifies him as ridiculously stupid. The posturing of the Glee club's male hierarchy is also a stretch. The other guys are to be considered lesser singers if Finn is the saving grave and lead male. What? On what planet does that make sense? Everyone of the guys (possibly even NO singing, NO talking, JUST dancing Mike and Matt) sing better than Finn.

Forget Rachel, Finn should be challenged for male lead.

Problem #5 - Tone
This could have been tossed in the consistency section but I decided to harp on about it by itself. Nothing was more jarring than the Terri/Will reveal scene in Episode 12 - Mattress. This was mainly due to the fact that the scene didn't mesh with the show. He played it too big. (I know many people would disagree.)

In a show that is largely farcical in a heightened reality, you have to make sure the tone is consistent. If the storyline arcs aren't, then you're going to have issues. While I agree that Will's reaction was warranted for the circumstances, I don't think the level of reaction (especially the aggressiveness) was consistent in the tone of the show or the character itself.

What Can Be Done?
I am not one to point out problems and not make some suggestions. Here are my ideas, not saying that any of them are good.
  • Flesh out the rest of the Glee members....specifically Tina, Artie, Mercedes. Currently they have one episode issues (that are never to be heard of again) or meaningless story lines. Give them something of quality.
  • Establish if Cheerios (Santana and Brittany) and Footballers (Mike and Matt) can sing.
  • Have more complicated arcs that make sense (aka remove necessary character stupidity to make story line work).
  • Appropriate levels of Sue - she's great as is. Let's not RUIN a good thing by using her too much and making her integration into Glee-world unreasonable.
  • Keep guest star appearances short, sharp and shiny. Don't stunt cast ever episode.
  • For someone who "loves" Finn, Rachel sure flirts in her affections a lot - Finn, Puck, Mr Schu and shortly Jon Groff (though who can blame her). They need to establish her connection to Finn more. Why is she in love with him? Is she in love with him? They've actually established Kurt's love of Finn better than Rachel's.
  • Brittany - keep her the same. Please. A quip here, a quip there. Dead-glorious-pan galore.
  • Can every song NOT be introduced as Regional's fodder? There were heaps of Sectionals songs and yet they ended up using a new one - go figure!
  • No more filler episodes. In a thirteen episode season, the A story line of the majority can be considered as such. A pointless storyline for the sake of a gimmicky routine doesn't cut the mustard...think Mattress' Jump and Wheels' Proud Mary.
What brings me Glee...
It's not all negativity.
  • Routines like My Life Would Suck Without You that closed out Episode 13 - Sectionals. It was the perfect combination of performance, choreography and story relevance.
  • Mark Saling's Sweet Caroline. While I am sure the whole throwaway aspect of the Rachel/Puck dalliance (or Puckleberry as shippers have named it) was created for this moment, it was worth it. Sung simply, not over produced and just swoon worthy.
  • Playing against the cliche...Kurt and his Dad...brilliant.
  • Quips...I can never get enough whether from Sue, Brittany or Kurt.
  • Great spread of music influence from mainstream pop, to musical standards to Billy Idol re-imagined. When they get it right, they get it amazingly right.
  • The cast. Some may not be completely there yet on the acting front but on the whole they are such a winning bunch that I love them enormously.
  • Chris Colfer...some may say Jane Lynch is the break out star, I beg to differ. Kurt Hummel is a breath of fresh air over a dusty, tired remote. I re-watch episodes to focus on his background work...the boy can work his face like a fine tuned watch!
  • Lea Michele...is there nothing she can't sing?
Stupid is as Stupid Does...
  • The Drug Storyline of Episode 6 - Vitamin D. While Glee isn't drawing everything out in terms of story lines, they are wasting great possible dramatic arcs by dismissing them as one episode jokes. We've seen this with Puck and Rachel, a pairing with great potential that was used as a throwaway. However, this pairing received so much attention, this throwaway is now being resurrected due to audience demand. Great thinking, producers!
  • Reality show...they are casting new Glee cast members as part of a transparent, reality show like process. NO. Too much. How about they focus on the Glee members that we don't know very well? I still can't tell you which male dancer is Mike and which one is Matt. So that's a big fat no to whoring the casting process and to bringing in new cast when the old ones haven't had nearly enough screen time.
  • Leaks. The story leaks to the media are ridiculous. I love spoilers but I shouldn't be able to have producer endorsed exposure to the storyline, the songs (even recordings), etc prior to the broadcast. There are very little surprises for me going into episodes before. Keep some mystery, Ryan Murphy.
Forgiveness can sometimes be evil.

We are all willing to forgive Glee. I am willing to forgive it for a lot (and after this post you know I have issues to forgive).

The Will/Sue Lindy Hop. Really?

Was that character consistent? No?

Did I enjoy it? Yes.

Was it more than a one note, never to be referenced again joke? No.

The last word goes to William who responded to my 140 character issue rant about Glee with this....